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	<title>microphones &#8211; English</title>
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	<link>https://onmedia.dw.com/english</link>
	<description>Our work in Africa engages with journalists and partners across a wide range of media including radio, TV, online, mobile and film. One of the priorities of the DW Akademie in Africa is to support and strengthen independent media in post-conflict countries and countries in transition.</description>
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		<title>Mic me up &#8211; working with microphones</title>
		<link>https://onmedia.dw.com/english/?p=4175</link>
		<comments>https://onmedia.dw.com/english/?p=4175#respond</comments>
		<pubDate>Fri, 20 Apr 2012 17:01:31 +0000</pubDate>
		<dc:creator><![CDATA[Guy]]></dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[Radio]]></category>
		<category><![CDATA[TV]]></category>

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				<content:encoded><![CDATA[<div id="attachment_4187" aria-labelledby="figcaption_attachment_4187" class="wp-caption alignleft" style="width: 340px"><a href="http://onmedia.dw.com/english/files/640px-SennMicrophone.jpg" rel="lightbox[4175]"><img class="size-medium wp-image-4187 " src="http://onmedia.dw.com/english/files/640px-SennMicrophone-300x200.jpg" alt="" width="340" height="226" srcset="https://onmedia.dw.com/english/files/640px-SennMicrophone-300x200.jpg 300w, https://onmedia.dw.com/english/files/640px-SennMicrophone.jpg 640w" sizes="(max-width: 340px) 100vw, 340px" /></a><p class="wp-caption-text">Photo credit: Chris Engelsma, CC BY-SA 3.0</p></div>
<p>What&#8217;s the right microphone to use?</p>
<p>It would be fair to say in our work across Africa, DW Akademie trainers see just about every type of microphone ever manufactured in use.</p>
<p>Whether it&#8217;s in a studio, plugged into a digital recorder or a video camera, we&#8217;ve seen and heard everything. From the most expensive specialist mics, to budget mics to microphones that are working antiques, lovingly maintained and still producing quality sound.<span id="more-4175"></span></p>
<div id="attachment_4191" aria-labelledby="figcaption_attachment_4191" class="wp-caption alignright" style="width: 330px"><a href="http://onmedia.dw.com/english/files/Kono-mic-2.jpg" rel="lightbox[4175]"><img class="size-medium wp-image-4191 " src="http://onmedia.dw.com/english/files/Kono-mic-2-300x225.jpg" alt="" width="330" height="247" srcset="https://onmedia.dw.com/english/files/Kono-mic-2-300x225.jpg 300w, https://onmedia.dw.com/english/files/Kono-mic-2.jpg 640w" sizes="(max-width: 330px) 100vw, 330px" /></a><p class="wp-caption-text">Technician at SLBC in Kono repairing a studio mic</p></div>
<p>Good quality audio is crucial for any broadcasting work but not all microphones are the same.</p>
<p>DW Akademie trainers Karl Lippe, Uwe Ross and Sven Wagner have produced the tables below to explain the difference between microphones and what type of microphone to use in various recording situations.</p>
<p>Microphones are distinguished by how they convert sound into electric signals &#8211; the<a href="http://en.wikipedia.org/wiki/Microphone"> transducer principle</a>.</p>
<p><a href="http://onmedia.dw.com/english/files/microphones-1-blog-images-8.jpg" rel="lightbox[4175]"><img class="aligncenter size-large wp-image-4177" src="http://onmedia.dw.com/english/files/microphones-1-blog-images-8-1024x952.jpg" alt="" width="560" height="520" srcset="https://onmedia.dw.com/english/files/microphones-1-blog-images-8-1024x952.jpg 1024w, https://onmedia.dw.com/english/files/microphones-1-blog-images-8-300x278.jpg 300w" sizes="(max-width: 560px) 100vw, 560px" /></a></p>
<p>And using the transducer principle, microphones can be made with different directional characteristics. Have a look at the stem or handle of a microphone &#8211; quite often you&#8217;ll see its directional characteristic painted or etched on the side. For example:</p>
<p><a href="http://onmedia.dw.com/english/files/U87_02_04_P.jpg" rel="lightbox[4175]"><img class="aligncenter size-full wp-image-4203" src="http://onmedia.dw.com/english/files/U87_02_04_P.jpg" alt="" width="140" height="140" /></a>But for journalists, the microphone types below are the most relevant for day to day recording for news and current affairs work.</p>
<p><a href="http://onmedia.dw.com/english/files/microphones-1-blog-9.jpg" rel="lightbox[4175]"><img class="aligncenter size-large wp-image-4183" src="http://onmedia.dw.com/english/files/microphones-1-blog-9-1024x958.jpg" alt="" width="560" height="523" srcset="https://onmedia.dw.com/english/files/microphones-1-blog-9-1024x958.jpg 1024w, https://onmedia.dw.com/english/files/microphones-1-blog-9-300x280.jpg 300w, https://onmedia.dw.com/english/files/microphones-1-blog-9.jpg 1133w" sizes="(max-width: 560px) 100vw, 560px" /></a></p>
<p>Of course a question we&#8217;re often asked as trainers, especially in radio workshops: What mic should I buy?</p>
<p>For all purpose radio work Karl Lippe recommends an <strong>omnidirectional dynamic</strong> reporter&#8217;s microphone. Here&#8217;s Karl&#8217;s tip:</p>
<blockquote><p>A dynamic microphone is robust, cheap, and doesn&#8217;t require an external power supply. With the omnidirectional characteristic, which captures sound from every direction, you will have a mic that works in most interview situations. The mic isn&#8217;t sensitive to improper orientation, which can easily happen in an interview. In loud settings, the mic must be held close to the interview partner to get good sound.</p></blockquote>
<p>Good quality omnidirectional dynamic reporter&#8217;s microphones are available from around €100.</p>
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